“It’s off on its own legs,” Carson says of her play. Linda Carson wrote the play over two years, refining the action through workshops with Young People’s Theatre in Toronto, Ont. That run of shows centred on migrant workers ejected from the land. “It’s a book that argues that the wealthy are not fulfilling their social responsibilities, that hints darkly that the wealthy can be easily overthrown, and replaced by those deemed socially inferior,” Ness writes.Ĭarson’s play explored similar territory in a Mexico City production staged by Presentation House Theatre and Marionetas de la Esquina – a Mexican theatre company specializing in puppetry. Jack plants the magic bean, however, “less out of hope for wealth and more from a love of beans and bacon,” according to author Mari Ness, who dissected the original tale for Tor.com. The story, included in a one-shilling pamphlet extolling traditional Christmas virtues, featured a grandmother turning into a toad and that same grandmother’s cat transforming into a beautiful woman. While Jack the Giant Killer was published in 1711, the original tale of a boy scaling a mile-high beanstalk was published in 1734 as Jack Spriggins and the Enchanted Bean, written by the unlikely-named Dick Merryman. The scene ended up underscoring the play’s themes of growing your own food and caring for the land. The actors improvised a scene where the kids escape the fee-fi-fo-fumming gargantuan by pretending to be miniature bugs.
“At one stage in the workshop I couldn’t figure out how the kids would hide from the giant,” Carson recalls.
“That’s where Jack and the Bean clicked,” she says.Ĭarson wrote the play over two years, refining the action through workshops with Young People’s Theatre in Toronto, Ont. But Carson imagined Jacky’s farm as an arid swath of “dead dirt.” And, rather than gold, the giant’s riches would be his soil. She would keep the giant and Jack, more or less. Realizing soil alone might not sell tickets, Carson reached to a favourite fairy tale from her childhood and re-examined Jack and the Beanstalk. “I thought: How cool to somehow get this onstage. “We often go walking about our world and we forget about all the creatures and all the life going on right below our feet,” she says. Taking the class, she recalls, was akin to a new scuba diver first fathoming the marine life teeming beneath the waves.Ĭarson saw the layers of life packed into a teaspoon of dirt and was inspired. Carson treated soil like dirt.īut in pursuing a degree at the University of Guelph, the playwright reluctantly enrolled in a soil science course.
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